
The strictest definition limits exotica to the imitations of Polynesian, Afro-Caribbean, and Hawaiian music that were produced by Les Baxter and others from the mid-1950s to the very early 1960s. This music blended the elements of Afro-Cuban rhythms, unusual instrumentations, environmental sounds, and lush romantic themes from Hollywood movies, topped off with evocative titles like "Jaguar God," into a cultural hybrid native to no place outside the San Fernando Valley.
There were two primary strains of this kind of exotica: Jungle and Tiki. Jungle was definitely a Hollywood creation, with its roots in Tarzan movies (and further back, to W.H. Hudson's novel, Green Mansions. Les Baxter was the king of jungle exotica, and spawned a host of imitators while opening the doors for a few more genuine articles such as Chaino, Thurston Knudson, and Guy Warren. Tiki was introduced with Martin Denny's Waikiki nightclub combo cum jungle noises cover of Baxter's "Quiet Village," although Denny's vibe player, Arthur Lyman, soon became the style's most representative artist. Tiki rode a wave of popularity in the late 1950s and early 1960s marked by the entrance of Hawaii as the 50th state in 1959 and the introduction of Tiki hut cocktail bars and restaurants around the continental United States. Tiki exotica is now enjoying a resurgence in popularity, and Tiki mugs and torches that once collected dust in thrift stores are now hot items.
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